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    Home » Do we even care about Europe?
    Culture

    Do we even care about Europe?

    ZEMS BLOGBy ZEMS BLOGMarch 21, 2024No Comments3 Mins Read
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    Cover for: Can We Decommercialize Housing?
    Cover for: 'Ni!  'Ne!'
    Cover: Alchemists of Ludwigshafen

    What do people in Europe care about? I think they are interested in understanding. Agnieszka Wisniewska, editor-in-chief of the Polish daily Opinion Political criticism, stresses the importance of small publishers who do not spread outside the capitals. “The irony is that we have a lot of information but we are not receiving better information,” she adds.

    Among the piles of information, it becomes difficult to assess what the general public cares about. Often the statistics are very surprising. “If we have learned anything, it is that one never knows what the audience will find interesting,” says Simon Garnett, senior editor at Eurozine.

    Topics such as the environment, housing, digital transformation, the labor market, and rising right-wing fascism seem to occupy the concerns of most of the next European generation to varying degrees. Although the European Union promises social and political cohesion across the continent, the problems arising from each of its member states pose a huge threat to its structure.

    “It's not just about how I might feel about those issues in Germany or France, it's also about how Germans feel about what's happening in France,” says Sarah Elizabeth Cooper of My Country Talks.

    Media should facilitate direct discussions with the public to build communities. Some of the founding members joined him View Europe platform, we delve into strategies for bringing European interests together through accessible platforms, and for a wider audience.

    Today's guests

    Agnieszka Wisnewska is a magazine editor-in-chief Political criticismPolish opinion daily.

    Simon Garnett is senior editor at Eurozine.

    Sarah Elizabeth Cooper grew up in Chicago My conversationsthe political dialogue and journalistic engagement platform from German Zeit Online.

    We meet them at the disco café of the Bicycle and Rails housing project in Vienna.

    Creative team

    Rika Kinga Papp, Editor-in-Chief
    Murphy Akiel, Artistic Director
    Zylvia Pinter, producer
    Zofia Gabriella Babb, executive producer
    Margareta Lechner, writer and editor
    Salma Shaka, writer and editor
    Priyanka Hutchenreiter, Project Assistant

    administration

    Hermann Riesner General Manager
    Judit Ksikos is project manager
    Ms. Chela Kardos, Office Administration

    Octo crew

    Senad Hergić is producer

    Video recording by Leah Hochdlinger

    Video recording by Marlena Stolzi

    Clemens Schmidbauer video recording

    Audio recording by Richard Prosek

    Budapest video crew

    Nora Roszkay, audio engineering
    Gergely Aaron Babai, Photography
    Laszlo Halasz, photography

    Post production

    Nora Roszkay, lead video editor
    Istvan Nagy, video editor
    Milan Golovics, Conversation Editor

    art

    Animation by Victor Maria Lima
    Cornelia Frischoff, theme music

    Captions and subtitles

    Julia Sobota Closed caption, Polish and French translation; Manage language versions
    Farah Ayyash, translator
    Mia Belen Soriano, translator
    Marta Verdebar translated into Croatian
    Lydia Nadori, translated into German
    Katalin Szlukovényi is a Hungarian translator
    Daniela Unifazo, translated into German
    Olena Yermakova is a Ukrainian translator
    Aida Yermikbaeva is a Russian translator
    The Martian Zaslavsky movie with Italian subtitles

    Sponsored Disco Café for Bicycle and Rails Housing Project, Vienna.

    Related readings

    Europe talksMy conversations.

    Can we de-commercialize housing? Standard Time.

    Focus Point: Breaking Bread: Food and Water Systems Under StressEurozine.

    Chemists in LudwigshafenStaffan Graner, Eurozine.

    disclosure

    This talk show is produced by Display Europe: a leading media platform based on public values.

    This program is jointly funded by the European Union's Creative Europe Program and the European Cultural Foundation.

    Importantly, the views and opinions expressed here are solely those of the authors and speakers and do not necessarily reflect the views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for it.

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