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    Home » Can we de-commercialize housing? | Eurozine
    Culture

    Can we de-commercialize housing? | Eurozine

    ZEMS BLOGBy ZEMS BLOGJanuary 25, 2024No Comments5 Mins Read
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    Cover for: prosperity for many
    Cover for: Hungary: From housing justice to municipal opposition
    Cover for: Homes, outages
    Cover for: Responding to global crises through low carbon social housing
    Cover of: When the Ghosts Return
    Cover for: Everyone needs a home
    Cover for: Housing as an investment
    Coverage for: Housing projects versus detached family homes
    Cover for: What do we want to bet?
    Cover for: The Affordability Myth

    Across European cities, real estate markets are filled with speculation, and this is making affordable living harder and harder to come by. Between 2021 and 2022, residential property prices rose by more than 9% compared to the EU average, with some countries seeing particularly sharp increases. In Estonia, Czechia, Hungary and Lithuania, for example, house prices rose by more than 20% during this period.

    In 2021, 17% of the EU population lived in overcrowded households, nearly 7% were unable to keep their homes adequately warm, and 8.3% faced visible housing poverty – meaning they spent 40% or more of their income Their families need housing.

    Home ownership has proven to be a distant dream for millennials and younger, unless they inherit wealth. This remains the case despite the decline in real housing prices by 5% over the past few years. Market prices are still far from real salaries.

    Worse still, rents have become unaffordable. Over the past eight years, Ireland, Hungary and Poland have seen rents rise by 75%. IPrices in Berlin have risen by about 50%, despite some moderate rent control measures. The gentrification of European capitals is actively fueling this trend. Mainly affects neighborhoods and ethnic minorities.

    As homelessness increases, a large number of political actors are exploiting this situation to promote fear against those who are forced to sleep on the streets. Public hatred against the poor clearly has roots dating back at least five centuries in European history. Property ownership grows as a political turning point. A notable example of this is English electoral politics, where the most likely determinant of a voter's party preference is whether or not he or she owns a home, or has passive income from property. But anti-poor populism is not limited to the English Channel; The German far right and the Hungarian government are making their own mixtures, and internal hostility is widespread in conservative politics across the continents.

    A rosier legacy

    European countries have been building social and subsidized housing since the 19th and 20th centuries. When the Industrial Revolution brought large populations to urban centres, this pressure sparked public housing, initially as blocks of flats and boarding houses. Many of the historic city centers we admire today, as well as social housing projects, were built under this pressure. Investment in housing exploded in the wake of the two world wars, when countries had to find quick solutions for large numbers of people displaced by war. However, despite the stability of many of these projects, social housing is no longer as popular as it once was, and many nation-states continue to support middle- and upper-class wealth building rather than finding solutions for the poor. You can read about this, and much more, in Eurozine's focal point: Room temperature.

    Elke Roth is editor-in-chief of Urbanist magazine derivativeand co-coordinator of Urbanization! festival For urban exploration. It is part of habiTAT Home Rental Syndicate Follower Bicycle and bars house project in Vienna; A network of self-organized housing projects that aim to purchase homes and secure them as self-managed spaces.

    Lenke Pálfi and Adél Csůrök are colleagues Association from Streets to Homes, pioneered the Housing First method in Hungary. They help rough sleepers move into affordable rental housing, as well as advocate for affordable rental housing as a solution to homelessness.

    We meet them in Bicycle and rail housing project In Vienna, Austria.

    Creative team

    Rika Kinga Papp, Editor-in-Chief
    Murphy Akiel, Artistic Director
    Zylvia Pinter, producer
    Zofia Gabriella Babb, executive producer
    Margareta Lechner, writer and editor
    Salma Shaka, writer and editor
    Priyanka Hutchenreiter, Project Assistant

    administration

    Hermann Riesner General Manager
    Judit Ksikos is project manager
    Ms. Chela Kardos, Office Administration

    Octo crew

    Senad Hergić is producer
    Video recording by Leah Hochdlinger
    Video recording by Marlena Stolzi
    Clemens Schmidbauer video recording
    Audio recording by Richard Prosek

    Budapest video crew

    Nora Roszkay, audio engineering
    Gergely Aaron Babai, Photography
    Laszlo Halasz, photography

    Post production

    Nora Roszkay, lead video editor
    Dialogue Editor Katerina Kuzmenko

    art

    Animation by Victor Maria Lima
    Cornelia Frischoff, theme music

    Captions and subtitles

    Julia Sobota Closed caption, Polish and French translation; Manage language versions

    Farah Ayyash, translator
    Mia Belen Soriano, translator
    Marta Verdebar translated into Croatian
    Lydia Nadori, translated into German
    Katalin Szlukovényi is a Hungarian translator
    Daniela Unifazo, translated into German
    Olena Yermakova is a Ukrainian translator
    Aida Yermikbaeva is a Russian translator
    The Martian Zaslavsky movie with Italian subtitles

    sources

    Give me shelter: Cost of living crisis puts pressure on housing in Europe By Giovanni Cui, politician

    The risk of a housing bubble is shrinking around the world… except for one European city By James Thomas, Euronews

    Berlin, Barcelona and the struggle against gentrification By Terry Garcia, Dive into Smart Cities

    Related readings

    Room Temperature, Eurozine editorial

    disclosure

    This talk show is produced by Display Europe: a leading media platform based on public values.

    This program is jointly funded by the European Union's Creative Europe Program and the European Cultural Foundation.

    Importantly, the views and opinions expressed here are solely those of the authors and speakers and do not necessarily reflect the views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for it.

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